FS5 4K 10 bit Recording. The default look of the two cameras is different. Can we match the Look with conventional FS5? Part of the focuspulling.com community, this is the best place for seeing and sharing video samples. When the Gamma setting is S-Log3, it will be within the range ISO 2,000 – 102,400. I haven't bought the camera yet (still waiting for them to ship) but have been asked by potential client to provide 4K 10 bit. These LUTs deliberately make the on-screen image a little bit darker. Normally, controlling exposure is a precise balance between ISO, shutter speed and iris settings. Creative tips for both experts and beginners. Sony PXW-FS5 Firmware Update 86 pages. The FX9 with XDCA-FX9 joins the existing Sony RAW capable line-up of FS7*, FS7 II*, FS5** and FS5 II, which all work with the Shogun 7 to record in ProRes RAW. Page 3 Sony FS5 Kit Camera and Lens Batteries and Chargers Condenser Microphone There are two BPU 60 and one BPU 30 battery. Owners of Sony’s PXW-X70 and PXW-FS5 camcorders now have the option of purchasing an upgrade license to record HD in MPEG2, in addition to their original códecs. Firmware Ver. Now the camera will trigger the recorder when you press the record button on the camera. Record and instantly share video messages from your browser. The FS5 II can also shoot in HDR outputting in HLG. This look was developed and finely tuned using the same Sony expertise that was applied to Sony’s VENICE cinematography camera. It depends on what you are trying to achieve and how you want your footage to look. It also features an ergonomic, modular design while the α Mount Lens System makes it easy to use third-party lenses as well as those from Sony. This will allow the camera to start and stop the recordings on the Shogun. FS5's Auto ND put to test by Philip White. Many shooting situations just can’t handle those restraints. The following cameras are currently supported: Canon C300 Mark II, C500; Sony FS700, FS5, FS7II, FS7, FS7II; Panasonic Varicam LT, EVA1 Functions which were added to FS5 after launch via upgrade licenses come as standard with FS5 II except MPEG HD recording license. The original FS5 introduced a bold new concept – a ‘grab and shoot’ compact, lightweight but robust and fully featured Super35 Large Format Sensor (LFS) camcorder. Requires Firmware Version 3.0 With this MPEG HD Recording Upgrade License from Sony, you can enable MPEG-format HD recording on your PXW-X70, PXW-Z90, or PXW-FS5 camcorder. It’s the world’s first Super35mm camcorder with a built-in electronic variable Neutral Density (ND) filter. Even if you’re not planning on 4K production, the 8.8 megapixels of Sony’s 4K image sensor enables you to shoot super-sampled HD, with detail and image texture that HD sensors cannot see. Though small in size, it incorporates professional features that differentiate … FS5 4K 10 bit Recording. The look of current FS5 and the new FS5II can be matched between PP2 and PP10, and you can use it together with the picture making. Future-proof your projects by capturing UHD 4K (3,840 × 2,160) resolution. The FS5 II also has as standard higher frame rates and RAW output at 4K at up to 120 FPS (for 4 seconds), plus RAW output of Full HD (FHD) at up to 240 FPS. Record and instantly share video messages from your browser. Also See for Sony PXW-FS5. Upgrading the PXW-FS5 to shoot RAW doesn’t require sending your camcorder away. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and don’t include ND filters. UPDATE: I have uploaded a new version of this video that has Noise Reduction applied to the externally recorded RAW/ProRes files (see below). The FS5 is compatible with a wide range of external RAW recorders from different manufacturers. How has the look of the FS5 II changed in comparison with the FS5? This look was developed and finely tuned using the same Sony expertise that was applied to Sony’s. No. The FS5 II doesn’t try to restrict the way you use these modes. Will the new look of the FS5 II appear in future versions of the FS7? It's great to add the Sony FX9 to the large and expanding ProRes RAW ecosystem. To confirm if your model has the file format or function, check the product manuals. External features, controls & indicators. I like to do exactly the same for RAW. This is the sequel to a video I recently posted that compares the internal recording capabilities of the Sony PXW-FS5 to what can be recorded with an external recorder, such as the Odyssey 7Q+. Linear PCM Recording Plug your digital voice recorder directly into … High definition and 4K recording and formats. For example, a 4K RAW output to an external recorder, while internally two streams to drive the viewfinder or LCD while recording HD internally on an SDXC card. For an all-Sony solution, use a Sony AXS-R5 recorder with an HXR-IFR5 interface unit. The easiest way to do this is to use a white card or a white piece of paper and set the cameras zebras to 70%. Here the S&Q frame rate is 60 fps and the recording format is 1080 30p. Signal processing in the PXW-FS5. Can I match the FS5’s default look (i.e. The new firmware adds features such as continuous 120fps recording, lower ISO settings when recording in S-LOG2/S-LOG3, and a new Hybrid Log-Gamma for HDR workflows. The format also allows burning HD video to standard DVDs so that they can be played on Blu-ray players. Recording MP4 movies. 4.00 for the Sony FS5 is now available to download. It’s also an ideal partner to shoot with an FS7/FS7 II or other interchangeable lens camera – the α mount system makes it easy to share lenses between cameras while achieving a consistent large sensor look. Page 106 When the recording format frame rate is 25p, the output is either 50p or 50i. Right now the only way to record these new formats is on the Atomos Shogun Inferno and Sumo19. If you go to the ‘custom look’ page of the menu, the custom look function on the Shogun allows you to load your own look-up tables into the Shogun and apply those to the S-Log2 picture. The original FS5 introduced a bold new concept – a ‘grab and shoot’ compact, lightweight but robust and fully featured Super35 Large Format Sensor (LFS) camcorder. It can record 8-bit, 4:2:0, XAVC-L QFHD (3840×2160) files. Then select the ‘FS RAW’ option. Or you can simply drag and drop the videos to the software. Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. There are also third party solutions for recording RAW video, from Atomos and Convergent design, for example. With an ND filter to control the quantity of light falling on the sensor, it makes it possible to shoot with narrow depth of field even in bright light. The FS5 II is the camera to go to when you want an easier way to capture video. The two models have the same Gamma and Colourspace. Set the Frame Rate as follows according to the file format setting: NTSC. Signal processing in the PXW-FS5. The darker on screen image encourages you to expose the RAW data nice and brightly. Available file formats differ and some functions are not available, depending on the model. But it must be understood that 12-bit RAW is not as good as the 16-bit RAW available from high-end cameras like Sony’s PMW-F5 or F55 when used with the AXS-R5 or R7 RAW recorder. The FS5 is the world's first Super 35mm camcorder* with a built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. The FS5 was designed as a lightweight, compact camcorder and internally can record 8-bit 4:2:0 UHD. The FS5 was designed as a lightweight, compact camcorder and internally can record 8-bit 4:2:0 UHD. The default codec is Apple ProRes. Sony PXW-FS5 Software Update 22 pages. With an MSRP of $6,699, the FS5 shares many of the same performance specs as its big brother at nearly half the size and weight. Frame rates up to 120 fps at 4K are possible in 4 second burst or continuous 240fps in 2K RAW with external recorder. So whether buying new lenses, or making use of lenses you’ve already purchased, the FS5 makes it easy. MPEG 2 This is fine for high-end projects, but for practical purposes most people will make use of their external recorder to convert the RAW data stream to an alternative high quality 10-bit codec such as Apple ProRes. Page 1 Sony FS5 Quick Start Guide...; Page 2 This is a professional HD and 4K camera with broadcast quality codecs. S-Gamut is used with S-Log2 and S-Gamut3.Cine is used with S-log3. Personally I consider these minimums. This depends on which Picture Profile is selected. [1] Add gamma, colour settings [2] Add compression, [3] 12-bit RAW data [4] External RAW recorder. With the PXW-FS5 CAMCORDER, Sony has taken most of their latest technological advances and rolled them into a compact “grab and go” camera that is ideally suited for documentary production, reality TV, breaking news, and event videography. Part one of Alister Chapman’s expert camcorder advice. Camcorder Sony PXW-FS7 Operating Instructions Manual. Sony PXW-FS5 - 4K XDCAM Super 35 Camera System. The FS7 II and FS7 are more advanced than the FS5 II. The default look is different. Sony RAW is recorded by the Odyssey7Q/7Q+ in 12-bit CinemaDNG files or processed into video and recorded as Apple ProRes. With conventional video recording, the camcorder takes the signal from the sensor and processes it to create the final look of the image (or it adds a log gamma curve to the video) and that’s what is recorded or output as a conventional video signal over HDMI/SDI. The original FS5 was intended to produce a realistic look for events, corporate videos and news. RAW is not a magical solution for poor lighting and it won’t give you any improvement in the camcorder’s low-light performance. And if you want to record in 4K, the FS5 supports internal recording at frame rates of 23.98, 25 and 29.97fps. You can also shoot Full HD at 240 fps to an SD card with a recording time limit of 8 seconds. I find that I get the best results by exposing about one to one-and-a-half stops brighter than the Sony recommended minimums. The FS5 II’s XAVC is also “wrapped” as MXF, a professional standard that helps to maximize compatibility across NLE’s and other post production software. All our footage was shot in S-Log 2 and graded in DaVinci Resolve. Exactly what you will be able to record will depend on the recorder that you choose, but in most cases it’s going to allow you to record at least 10-bit if not 12-bit and usually up to 60fps in full DCI 4K. With an MSRP of $6,699, the FS5 shares many of the same performance specs as its big brother at nearly half the size and weight. Accordingly the contents of this article do not necessarily represent the opinions or policies of Sony Corporation or its subsidiary companies. The FS5 II sits higher in the product range than the FS5. Set the Frame Rate as follows according to the file format setting: NTSC. 12-bit RAW will give you great flexibility in post-production but it is very important that you expose carefully to get the most out of it. Home. This part of the course explains the purpose of every feature, control and indicator on the PXW-FS5. So the two model ranges (the FS5 range and the FS7 range) are quite distinct and we suggest that you choose them according to your exact requirements. Initially, you will be monitoring S-log2. You can select video output VF/LCD or External output (SDI/HDMI/VIDEO) while in QFHD mode. SDI and HDMI can not be output simultaneously. Another way to do it is to use the ‘AE Shift’ function in the camera menu to add a +1.5 exposure offset. Why is the new look the default setting, rather than just adding it as a new Picture Profile? Ninja V supports a Log Formats and is HDR-compatible (PQ and HLG) supports 10-Bit 4:2:2 ProRes and DNxHR making it the ideal recording monitor for the new Sony FS5 II XDCAM E-Mount camcorder. That’s it, that’s all you have to do to be able to record RAW on the 7Q. With RAW, we bypass most of the image processing and output unprocessed sensor data via the HDSDI output so it can be recorded with a compatible external recorder. Sony RAW is recorded by the Odyssey7Q/7Q+ in 12-bit CinemaDNG files or processed into video and recorded as Apple ProRes. Ultra-High Resolution. XAVC and MPEG-2 recording on the PXW-FS5. All the inside details on Sony’s radical new Super35 camcorder... © 2004 - 2021 Sony Europe B.V. - Terms and Conditions of Website Use. Recording to an SD card, you can shoot up to 120 fps in Full HD for a length of time that is only limited by storage capacity. The numbers (24, 25, 30, 50 and 60) represent how many times the video frame is displayed per second. On the FS5 there is also burst mode to allow brief 4K shooting at up to 120p. The Sony FS5 uses industry-standard SDXC media and offers a variety of recording options for file spanning and redundancy, as well as the ability to record proxy files with the same name and timecode as the main recordings. Condenser Microphone. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and don’t include ND filters. The benefits of RAW are substantial, but it’s important to understand how best to use them. When shooting RAW you should set the camera to picture profile 7 which is S-Log2 with S-Gamut. Depending on whether the camera is set to 50i or 60i, you’ll see some different options ranging from 24fps up to 60fps for the RAW output. Go to “Format” pull down list to select Adobe Premiere/Sony Vegas> MPEG-2(*.mpg) as the best video format for Premiere Pro. But the file will appear in Premiere as 1080 30p and play back on a 1080 30p sequence at 50 percent speed. When you shoot UHD internally, the FS5 is capable of two video streams. They should be comparable to the filesizes of 422HQ and 444. Discover the real-world benefits of this amazing technology. But for predictable and dependable results, it’s a good idea to use them with the corresponding Log modes (S-Log2, S-Log3) and using the preset Picture Profiles will ensure that this happens. There are two flavours of ProRes RAW: LT and HQ. Recorded file and folder structures. About this guide ... Three Recording Formats: XAVC HD, XAVC QFHD 4K, AVCHD • XAVC HD 4:2:2 MPEG 4 Long Profile (10 bit) • HD 1920x1080 60p, 30p, 24p at 50 mbps For this review we shot on two Sony U3 Class 10 SDXC I SD cards. To confirm if your model has the file format or function, check the product manuals. ; Page 4: About This Guide About this guide • This guide explains the basic functions of … The FS5 records UHD internally at 100Mb/s providing good quality content in relatively small, compact files. In this article, I’m going to take a look at just two examples: • Convergent Design 7Q+ and how to record RAW No. 4. All audio is digitally restored and enhanced to remove hiss, cracks, pops, volume discrepancies, any other problems associated with older audio.